Phillip John Usher. Epic Arts in Renaissance France. Oxford, Oxford University Press, 2014. ISBN 978-0-19-968784-8. xii+254pp. £60.00 (hb).
This richly documented investigation into Renaissance France’s ‘intense relationship between epic and art’ (205) engages epic texts in a dialogue with their visual sister arts: programmes are considered, such as the Fontainebleau gallery which glorified François Ier and epic texts such as Dolet’s Fata, which refashion classical epic material. Ronsard’s Franciade was ‘part of both a national and a royal project and in constant dialogue with other arts’ (159), inspiring a series of paintings by Dubreuil for Henri IV. This dialogue implies rapprochements, ‘textualisations’ but also differing perspectives, within the French arts but also between French and other European artists and poets. The author recreates visual ambiences, and documents how they would have appeared to sixteenth-century viewers, so as to help his readers glimpse ‘the inside spaces as they would have been visible’ (175) then and understand how this epic art would have been read.
Colin Burrow. Shakespeare and Classical Antiquity. Oxford University Press, 2013. ISBN 978-0-19-968479-3. 296p. £16.99.
Shakespeare and Classical Antiquity shows the range, extent and variety of Shakespeare's responses to classical antiquity. Individual chapters on Virgil, Ovid, Classical Comedy, Seneca, and Plutarch show how Shakespeare's understanding of and use of classical authors, and of the classical past more generally, changed and developed in the course of his career. More
Untutored Lines: The Making of the English Epyllion, by William Weaver — Edinburgh: Edinburgh University Press, 2012. ISBN: 9780748644650. 232p. £65.00.
The English epyllion, the highly erotic mythological verse that swept the London literary scene in the 1590s, is as much about rhetoric as about sex. So argues William Weaver in this fascinating study of Renaissance education and poetry. Rhetoric, moreover, is erotic. More
Renaissance Homer - a cross-disciplinary volume edited by Luisa Capodieci and Philip Ford - Homère à la Renaissance - Mythe et transfigurations, ed. Luisa Capodieci, Philip Ford - Rome and Paris: Académie de France à Rome / Somogy Editeur, 2011. ISBN: 978-2-7572-0419-1. 470p. €25.
The literary impact of the circulation of Homer’s poems in the 15th and 16th centuries has received more attention than their influence in the arts. This cross-disciplinary volume brings together specialists from different fields to study how Renaissance culture drew on the material of Homer’s myths. Contents
La Patrie de Narcisse, by Denis Knoepfler - Paris: Odile Jacob, 2010.
This book, by a leading epigraphist (D. Knoepfler holds a chair at the Collège de France), is a fascinating, erudite and eminently readable archeological quest in search of pre-Ovidian Narcissus.